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SHAYARS/Mirza Ghalib/SHAYARI
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Bas-ki dushwar hai har kaam ka aasan hona,

Aadmi ko bhi mayassar nahi insan hona.

— Mirza Ghalib

English Translation

“It is so difficult for every task to become easy — even for a human being, it is difficult to become truly human.”

auto_storiesMeaning & Interpretation

This is among Ghalib's most philosophically dense and celebrated couplets, and its meaning deepens considerably on close examination. The word play in the second line — 'aadmi ko bhi mayassar nahi insan hona' — rests on a distinction between two words for human: 'aadmi' (a human being by birth, a person) and 'insan' (a human being by nature, character, and moral achievement).

Ghalib is saying that while being born human is easy enough — it requires nothing but birth — becoming truly human (insan) is extraordinarily difficult. Insan carries connotations of humaneness, compassion, moral refinement, and dignity. Not every person who is born achieves this; many go through their entire lives as 'aadmi' without ever becoming 'insan.'

The first line frames this as an instance of a universal principle: it is difficult for things to achieve their highest potential. Water must work to become a river; stone must endure to become sculpture; humans must labour to become humane. This couplet is often quoted in discussions of moral education, character development, and the ethical dimensions of being human.

Key Words & Vocabulary

DushwarDifficult, hard
AasaanEasy, simple
AadmiA human being (by birth)
MayassarAvailable, achievable, accessible
InsanA truly human being — one who has achieved moral and spiritual humaneness

About Mirza Ghalib

19th Century (Mughal Era) · The poet who made doubt beautiful

Mirza Asadullah Baig Khan Ghalib is the most widely quoted and celebrated classical Urdu and Persian poet. His ghazals are renowned for their philosophical depth, questioning of religious dogmas, and intense exploration of love and existential sorrow.

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Reading Mirza Ghalib: where this sher fits

Themes to watch for: insatiable desire, religious irony, self-mockery, philosophical doubt, the dignity of suffering. Read the ghazals that begin 'Hazaaron khwaishein aisi' and 'Dil-e-nadaan tujhe hua kya hai' first; then try the letters for a very different, humorous Ghalib.

Worth knowing: He once said that his Persian poetry was 'a garden of colours' compared with his Urdu 'collection of sparse flowers' — and posterity decided exactly the opposite.